Small presses

I run the small press The Alchemy Press. It’s a small “small press”: we only publish a few titles per year. This is because of time constraints and, importantly, trying to keep the costs to a manageable level. Last year we published two anthologies, The Alchemy Press Book of Ancient Wonders and The Alchemy Press Book of Pulp Heroes. This year we will be publishing three anthologies:

Astrologica: Storiesof the Zodiac edited by Allen Ashley

The Alchemy Press Book of Pulp Heroes 2 edited by Mike Chinn

The Alchemy Press Book of Urban Mythic edited by Jan Edwards & Jenny Barber

The line up for these three books is amazing ... and doubly so, because we – The Alchemy Press – only pay a nominal fee. But we do pay something. We also supply a copy of the book (print and ebook editions) to all contributors.

It surprises me when I see other small presses that take stories without offering payment and, worse, without offering contributors’ copies. The small press I've seen – I won’t mention its name here – looks to be, in fact, much bigger than The Alchemy Press. (Apparently there are no royalties, either).

I just checked on Amazon. One of their paperback books will cost you and me and the contributors over £10 to buy. I have to ask: Who gets to keep all the profit? No wonder they are bigger if they have hardly any expenses.

I accept that there are many markets for short stories that do not offer payment in terms of £ or $, but at the very least they provide contributors’ copies. By not offering money or copies I feel that they let down the small presses that attempt to do it properly.

Being professional

Yup, this is going to sound like a whinge. Maybe it is. But I believe that my points are valid and warrant saying. I could simply ignore the issue but in this case my sense of fair play won’t let me.

On and off, for a number of years I edited the news content for the British Fantasy Society, both online and in the Newsletter (in the pre-Prism, pre-Journal days). Amongst all the information about mainstream books that I covered, I did my utmost to champion the UK small/independent press. Most publishers sent me press releases to ensure coverage of their titles; frequently I heard a snippet of news, which meant Googling for further details. I did it because I believed in giving fantasy and horror publications as much publicity as possible.

I am also a publisher of small press items – check out my Alchemy Press website for details. In 2011, after an interregnum of many years, I resurrected the press, launching a signed, limited edition of Peter Atkins short stories, Rumours of the Marvellous. So far this year I have three projects on the go.

Rumours was an expensive book to produce and hence its relatively high cover price. Nevertheless, I sent off review copies to several fantasy/horror-related websites and magazines. I sincerely thank all those who mentioned the book and especially those who also reviewed it. I am less than impressed by the total lack of acknowledgment I’ve received from some others.

I appreciate that the book may not be reviewed. As much as I would wish for a review, I never expected one. And after all, when I was book reviews editor for the BFS, many publications were never reviewed – it’s impossible to do so for every title received. My point is this: I think that for websites and magazines that purport to promote the genre, it is professional to at least mention a new book when received, and thereby support colleagues who are in this game.

© Peter Coleborn