Back in the late 1970s I bought a camera – a single lens reflex (SLR) model manufactured in Russia or East Germany, some country east of the Iron Curtain. Two or three years later I bought a Canon FTb QL SLR – my first “real” camera. With these instruments I taught myself how to balance f-numbers and shutter speeds and ISO values in order to obtain the right exposure. It was of course a film camera, and everything was adjusted manually.
I also bought a second-hand enlarger and all the paraphernalia necessary to develop and print B&W photos. And I created a dark room – the box room of our house was ideal, just next door to the bathroom – and learned new photographic skills.
I’m not sure when I started taking photos at conventions. Judging by the illustrated article (by Stephen Jones and others) in the FantasyCon 2011 Souvenir Book, it was around 1982. I don’t have access to my collection of magazines from that era (that’s the trouble with a broken leg and two floors to negotiate to get to my study), so I can’t confirm if my pictures saw publication in the BFS Newsletter.
Anyhow, I must have done something right because I was asked by Ian Watson, one of the SFWA’s Regional Directors, to take photos at the 1988 World Fantasy Convention, held in London. I did, and my pictures appeared on the front and back cover of the SFWA’s Bulletin (winter 1988 issue).
The FTb served me well, until I upgraded to a T90 then an EOS1n. I also bought a digital camera that cost over £200, a lot of money in the late 1990s. It was a pathetic affair – less than one megapixel, if I recall, with only a small built-in memory. It had novelty value and was soon discarded, unloved, and I continued using my film SLRs. But inevitably, as decent DSLRs appeared, with the technology to match the quality of film cameras, I too “went digital”. And I took many more photos at fantasy conventions.
Photo of James Herbert (c) Peter Coleborn
Photo of James Herbert (c) Peter Coleborn
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